Alcools: Poèmes 1898-1913 by Guillaume Apollinaire

By Guillaume Apollinaire

Variation enrichie (Introduction, notes, file et chronologie)

Placés sous le signe du temps qui passe, les poèmes d’Alcools récréent tout un monde : celui des lieux où son life a conduit leur auteur et dont ils entrecroisent les souvenirs, comme celui de ces grandes figures féminines qui ont traversé sa vie. Mais ils sont en même temps imprégnés d’une tradition à l. a. fois populaire et savante qui permet au poète de recueillir l’héritage du passé tout en s’ouvrant à l. a. modernité de l. a. vie ordinaire – les affiches ou bien les avions. On aurait ainsi tort de croire que ce recueil où s’inaugure l. a. poésie du XXe siècle soit, à sa parution en 1913, un livre de rupture. Nourri de poèmes anciens aussi bien que récents, le chant que font entendre ceux d’Apollinaire, à l’oralité si puissante, tire ses ressources du vers régulier comme du vers libre, et il ne s’agit pas pour le poète de céder au easy plaisir du nouveau : seule compte ici sa liberté et ce que lui dicte l. a. voix inimitable d’un lyrisme qui n’a pas cessé de nous toucher.

Édition présentée, annotée et commentée par Didier Alexandre. Chronologie de Laurence Campa.

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Yester- followed two of us into the women's room because he thought, "There go those boys, so. and \\eJumped out. We w^rote a " . song about how silly that is. It's also about how confusing gender is for people -who aren't used to living m an atmosphere — like San Francisco — where you have all this gender fluidity. A lot of my friends are getting sex changes and taking hormones; you can't put them in one of the two or three typical gender boxes. They're makmg more and more possibilities, all the time.

Like A J: Are you Catholic, by any chance? Some of your lyrics use Catholic imagery. and her mother (1960). When and the romantic myth shattered. From activity. when and yelling — they believed in the silent treatment. when get really resentful a male and was oppressed. my kind backfired. it women tell me that about. believe in intensified; I My parents were both very much in control, all think the reason -why is A young Lynn Breedlove ening person to me. If I hit me back and I wouldn't die. her, she could hit go up to a cop and hit him, I'm in trouble.

What do you say to that kind of accusation? LB: We can't be like them because we're women, so it's a totally different situation. It's all about the source. The source of my experience, my pain, is that I do not come from the oppressor class — they do. So when they try to make a joke about oppression, it's not a joke. It's the same old tired shit that's been going on for four thousand years. Not funny. But when I say the same thing that those men are saying, all of a sudden that's a ne^v twist.

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